Bartók’s opera, written in 1911, premièred in 1918, by which time Europe had suffered all the darkness it could stand. Iolanta emerges out of darkness-and innocence-into light and love Duke Bluebeard (sung by Mikhail Petrenko) imprisons his new wife, Judith (Nadja Michael), throwing her back into darkness after she demands to know what terrible secrets lie beyond the seven doors of his sepulchral fortress. In Treliński’s view, the two operas can be interpreted as different phases in the life of one woman. The Polish filmmaker Mariusz Treliński, making a Met début of his own, as director, has said that his aesthetic for both operas will come from an unexpected source: nineteen-forties Hollywood thrillers and film noir (such as Hitchcock’s “Rebecca” ), movies in which violence and repressed sexuality simmer just beneath the surface. The composer himself was not entirely pleased with the results (“Medieval dukes and knights and ladies capture my imagination but not my heart,” he wrote to a colleague), but at its best the score gives off a secretive, radiant beauty that the production’s big stars, the soprano Anna Netrebko, the tenor Piotr Beczala, and the conductor Valery Gergiev, are well suited to exploit. LONGTIME SPONSOR OF THE METROPOLITAN OPERA Crossword clue LONGTIME SPONSOR OF THE METROPOLITAN OPERA is a 37 letter Phrase starting with L and ending with A Crossword answers for LONGTIME SPONSOR OF THE METROPOLITAN OPERA Thanks for visiting The Crossword Solver 'Longtime sponsor of the Metropolitan Opera'. That ballet explores the innocent world of children the opera centers on Iolanta, the young daughter of a king, who has been kept in ignorance of the fact that she is blind, because of her father’s fear of making her unhappy. “Iolanta” premièred in 1892 as half of the most famous double bill in Russian music history, sharing the stage with a larger Tchaikovsky work: “The Nutcracker,” which has gone on to a more celebrated afterlife.
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